Dec 13, 2016. Al Jarreau - My Old Friend - Celebrating George Duke (2014). Paul Jackson Jr., Jubu (Guitar); Marcus Miller (Bass, bass clarinet); George Duke, John Beasley (Keyboards); Brandon Coleman (Key bass, keyboards); Boney James (Tenor saxophone).

Crosswinds is the second album of. The album was released in 1974. It comprises four songs, all composed by Billy Cobham. It was used as the basis for the 's hit song '93 'til Infinity'. Wiki 's second date as a leader was one of his better sessions. Four songs (all originals by the leader/drummer) comprise 'Spanish Moss -- A Sound Portrait,' and, in addition, contributed three other pieces.

The selections team him with guitarist, both of, trombonist, keyboardist, bassist, and Latin percussionist. In general, the melodies and the vamps are reasonably memorable.

Also takes an unaccompanied drum solo on 'Storm.' Worth searching for by fusion collectors. All Music Billy Cobham made this album at a pivotal point. The original Mahavishnu Orchestra had disbanded, John McLaughlin was wallowing, and jazz purists were beginning to complain about the rock influence. Billy helped show a new direction.

Crosswinds opening suite has lush and sophisticated horn arrangments, soothing a subtly intense rhythm. The effect is like night, tropical breezes, just as he wants to convey.

You can almost hear the ocean, the music of the wild Caribbean (no steel drums of course, just cool). Iso 13485 Preservation Of Product. Fantasy Ebooks Pack 11 on this page. The rest of the album alternates between hot and cool, with some funky fusion and a beautiful extended piece, Heathers, near the end, featuring a trombone solo that sounds like the soundtrack to a loving and relaxing dream.

The album is inspired, Billy at his creative best, showing the jazz world a new dimension that fusion had not shown before. At 35 minutes it is a little short, but we have quality here, not quantity. This album belongs in any jazz or fusion collection. By 'Crosswinds' has been in my vinyl collection since 1974, when I first picked up a copy at King Karol Records on 42nd Street in Manhattan.

Well, I recently became reacquainted with this recording after picking up a CD copy at a 'oh so trendy' record store in Haight-Ashburry, San Francisco. As I did then, I played the new CD over and over again, completely enraptured by Cobham's 'Ripley's Believe or Not' staccatto drumming and Lee Pastora's smoking Latin percussion.

Joined by the Brecker Brothers, George Duke, John Abercrombie, Alex Blake, John Williams, Garnett Brown and other great luminaries of early jazz fusion, Cobham and his willing partners beat and shape a veritable masterpiece. Drive along Big Sur and take in the vast and dramatic California skies and scarred bluffs and you'll begin to undertand what hues of emotions this exquisite recording conjures.

Crosswinds alternates between adrenaline musical rushes and absolute sublime chill, creating a perfectly balanced sinuous stream of sound. Simply exquisite! I got this album as a gift in 1974 when I was 19 years old. My unsuspecting sister had heard the name Billy Cobham, but did not realize what a masterpiece she had placed in my hands. Although a virtuoso drummer with monstrous chops, Billy doesn't let his virtuosity run away with him. Although those looking for impressive drumming will not be disapointed. His use of time on the the Crosswinds suite, his climactic 'Storm' solo the driving end movement will satisfy drummers, air-drummers and percussion fans.