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The past few years have been both a bounty and something of an endurance test for fans. This past May, the duo of and released, over four hours of new material. It earned comparisons to and. Tajima Dgml By Pulse Edition X2 Maestro. That followed on the heels of last year’s AE_LIVE, which was over nine hours of live shows and 2013’s, which ran for two hours (though still under the length of a modern superhero film). It sounds daunting—and yes, what the duo conjures up sounds daunting—as Autechre is shorthand for a type of difficult strain of electronic music once deemed “intelligent dance music.” There’s a good chance the word “algorithm” will be used when writing about their music, and despite their longevity, they remain at the vanguard, the of their field. But for all that impenetrability, there's a lifelong friendship and dialogue that takes place between the two, regardless of the fact they now live in separate cities, building and swapping MAX patches from a distance.

It’s a dialogue begun back in the late ‘80s, when they were electro-obsessed teens coming up in Manchester, swapping ideas and tracks on cassette tapes, jamming on analog synths and drum machines in their flats. It’s a dialogue that you can parse on their earliest albums, Incunabula and Amber, finally reissued on vinyl after they’ve changed hands online for three-digit sums.

That complex and private language is evident from the start, situating Brown and Booth as the of techno. “Eggshell,” from their 1993 debut Incunabula*,* subtly reworks “The Egg, ” a track from the epochal that forever saddled them with the “intelligent dance music” tag. The Incunabula track locates a purgatory between the graffiti-friendly snare and hi-hats and disarmingly gorgeous, slow-moving synth line that evolves almost without notice behind the beat. The landscapes they evoke can seem post-industrial and dystopian, but the chord progression of “Kalpol Introl” still feels melancholic and definitely human. And while its approximately 75-minute length is unwarranted—the acid squelches of “Windwind” exhaust with their 11-minute runtime—there are both time-stamped presets as well as plenty of clues as to their evolution embedded in the album. An early highlight, “Bike,” finds Autechre at their most songful, the bolts-on-concrete sounds of the 808s giving way to a beautiful ambient passage before that metallic beat returns. Even odder is “Basscadet,” a fan-favorite hit of sorts back in 1994.